kennardphillipps - artists peter kennard and cat phillips

Age of Terror : Art since 9/11 EXHIBITION AT IMPERIAL WAR MUSEUM

Head Of State

2007

pigment ink on newspapers

showing at the Imperial War Museum’s exhibition Age Of Terror : Art since 9/11

25th Oct 2017 – 28th May 2018

in  good  company  with  Jenny  Holzer,  Ai  Wei  Wei,  Alfredo  Jaar

Exhibition view of “Age of Terror: Art Since 9/11”, running at IWM London from 25th October 2017 – 28th May 2018.
Gallery view with artworks by Ai Weiwei and kennardphillipps
Photographed 31st October, 2017.

Exhibition view of “Age of Terror: Art Since 9/11”, running at IWM London from 25th October 2017 – 28th May 2018.
Gallery view with artworks by Ai Weiwei, Alfredo Jaar and kennardphillipps
Photographed 31st October, 2017.

Exhibition view of “Age of Terror: Art Since 9/11”, running at IWM London from 25th October 2017 – 28th May 2018.
Gallery view with artworks by Ai Weiwei, Jenny Holzer and kennardphillipps
Photographed 31st October, 2017.

 

 

 

 

 

 

What’s a protest arts group backed by a rich Russian doing in Tallaght?

IRISH TIMES review of How To Say It The Way It Is at Rua Red Arts Centre, Dublin

 

our work ‘Shock and Awe’, 2011, in the exhibition on until December 2017 at Rua Red, Dublin

“Strong and stable into ruin” Kate Tempest reads

STATE OF THE NATIONS : Diffusion International Festival of Photography, Cardiff

MAY NOT exhibition of new work at DADIANI Fine Art

HERE COMES EVERYBODY : STILLS , Edinburgh

On the 1st August this year we opened an installation at STILLS gallery in Edinburgh.

Here comes everybody by kennardphillipps Here comes everybody by kennardphillipps Here comes everybody by kennardphillipps DSC_1944 DSC_1976 DSC_1992 DSC_2124

 

And then we invited anyone and everyone to come and make work with us, Scott Lang and Claire Cochrane in a shopping centre round the corner

And then we invited anyone and everyone to come and make work with us, Scott Lang and Claire Cochrane in a shopping centre round the corner

20150813_131349 20150813_131446 War on War room in St Jame's shopping centre by kennardphillipps. War on War room in St Jame's shopping centre by kennardphillipps.

About 120 people ended up making work in this studio throughout August, producing 140 new works between them.

About 120 people ended up making work in the War on War Room studio throughout August, producing 140 new works between them.

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Then we took all their work into the gallery where it completes our installation Here Comes Everybody till the end of October

Their work completes the installation Here Comes Everybody at STILLS gallery till the end of October this year

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last friday at Dismaland, Sleaford Mods stunned the crowd – jason and andy did the business, addressing the ‘cunt in the corner’ with trademark furious vengeance

UK - Dismaland - Sleaford Mods plays live next to artwork by kennarphillipps

jason tells it to 'the cunt in the corner'

jason tells it to ‘the cunt in the corner’

someone else joins in

someone else joins in

UK - Dismaland - Sleaford Mods plays live next to artwork by kennarphillippsa bit of footage here

https://youtu.be/EyThXXYTUvA

everyone's happy

everyone’s happy

Run The Jewels ‘Lie, Steal, Cheat, Kill, Win’

-1see here

these guys smash it to the pig fucker, sorry we missed them on the night…..

https://youtu.be/Fl5NN4WvnMA?t=2m10s

at Edinburgh Festival: DEMOTALK 2014

DEMOTALK at Summerhall, Edinburgh Festival 2014, 1st August – 26th September

Kennardphillipps performs at Summerhall, Edinburgh Festival.Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival.

Within an environment of burnt walls with images connecting big finance with war the artists kennardphillipps construct images in a performance that uses the sounds of war, big industry; explosions of open caste mining, rapid fire artillery, and the sounds of resistance in everyday street life. They make an intervention in their own artists’ talk cutting from a formal talk about their work in response to the invasion of Iraq and British anti-war protest into a demonstration of action.

 

“ We tear at the serried ranks of share price listings in newspapers to reveal the victims of traded profit. We tear up the pages of our mediated experience and reveal the struggle going on underneath.  This is a work of disrespect to the way things are.”

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