kennardphillipps - artists peter kennard and cat phillips

HERE COMES EVERYBODY at STILLS gallery, Edinburgh until 24th October

On the 1st August this year we opened an installation at STILLS gallery in Edinburgh.

Here comes everybody by kennardphillipps Here comes everybody by kennardphillipps Here comes everybody by kennardphillipps DSC_1944 DSC_1976 DSC_1992 DSC_2124

 

And then we invited anyone and everyone to come and make work with us, Scott Lang and Claire Cochrane in a shopping centre round the corner

And then we invited anyone and everyone to come and make work with us, Scott Lang and Claire Cochrane in a shopping centre round the corner

20150813_131349 20150813_131446 War on War room in St Jame's shopping centre by kennardphillipps. War on War room in St Jame's shopping centre by kennardphillipps. catalexcomp

About 120 people ended up making work in this studio throughout August, producing 140 new works between them.

About 120 people ended up making work in the War on War Room studio throughout August, producing 140 new works between them.

Then we took all their work into the gallery where it completes our installation Here Comes Everybody till the end of October

Their work completes the installation Here Comes Everybody at STILLS gallery till the end of October this year

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DEMOTALK at Summerhall, Edinburgh Festival 2014, 1st August – 26th September

Kennardphillipps performs at Summerhall, Edinburgh Festival.Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival. Kennardphillipps performs at Summerhall, Edinburgh Festival.

Within an environment of burnt walls with images connecting big finance with war the artists kennardphillipps construct images in a performance that uses the sounds of war, big industry; explosions of open caste mining, rapid fire artillery, and the sounds of resistance in everyday street life. They make an intervention in their own artists’ talk cutting from a formal talk about their work in response to the invasion of Iraq and British anti-war protest into a demonstration of action.

 

“ We tear at the serried ranks of share price listings in newspapers to reveal the victims of traded profit. We tear up the pages of our mediated experience and reveal the struggle going on underneath.  This is a work of disrespect to the way things are.”

last year’s work at Edinburgh Festival: DEMOTALK 2014

banner mail AFTERIMAGE

 

Afterimage_press_release

DEMOTALK on BBC4 Edinburgh Extra with Kirsty Wark

http://www.bbc.co.uk/programmes/b04dznbt

Kirsty Wark reviews DEMOTALK and interviews us about the work on Edinburgh Extra, BB4

Economic Recovery?

Economic Recovery?, kennardphillipps,Uncertain States,2013

guardian article for Photo Op

 

New large work for show in Whitechapel for Uncertain States

"Britain is turning a corner" George Osborne, 9th September, 2013, kennardphillipps,2013web

 
Press preview: Thursday 7 November 4:30 – 6:00 pm November
Private View: Thursday 7 November 6:30 – 9:00 pm November
Opening Times: Tues-Fri: 11am-7pm, Sat./Sunday 11am-5pm

8 – 30 November
The Bank,
Central House
59-63 Whitechapel High Street
London
E1 7PF

TO HAVE AND TO HAVE NOT

KENNARDPHILLIPPS AT NOORDERLICHT PHOTOFESTIVAL

OLD SUGAR FACTORY – GRONINGEN – NETHERLANDS

1ST SEPTEMBER – 31ST OCTOBER

studies for a head, kennardphillipps, 2012

Since the crisis erupted in 2008, the world has become acutely aware of systemic problems in the way money and power have been organised. The so-called 1%, an elite that has garnered unprecedented wealth and political access thanks to the deregulatory efforts of the past twenty years, have turned into a new aristocracy – a class that lives by different rules.

In TO HAVE AND HAVE NOT, Noorderlicht aims to peer deep into the heart of the world of the upper crust. The ongoing economic crisis forms the common thread; a look at the causes of the collapse as opposed to its victims.

From a photographic standpoint, this is very taxing subject matter. Access to the world of the 1% is severely limited – especially in comparison to that of victimised groups, a staple of documentary photography. But more importantly, the essential ingredients of the financial and political spheres are abstract: ideas and ideologies, regulations or a lack thereof, power structures, complex financial products, greed. This intangible quality is one of the reasons as to why things were allowed to get so out of hand. It explains why public resentment against the accumulating wealth of the 1% at the expense of the 99% has only started to grow in recent years. Voices are speaking up against bonus cultures, bank bail-outs and people becoming statistics on balance sheets, though they have been features of developments that have been going on for decades.

The level of abstraction creates a challenge: how do you lay bare the essence of power and money through photography? Noorderlicht calls upon the photographic community to help us find interesting ways to visualize this theme. We are open to traditional documentary photography, but also to the most radical and experimental of approaches.

THE HECKLERS new exhibition at NEW GALLERY WALSALL

Opening night Thursday 18th July ALL WELCOME!

 

Note,kennardphillipps,2011,pigment ink,pva,uvls medium on newspaper45mm09

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